- Thu Sep 18, 2014 7:19 pm
#31745
well, as a resident of Austin, that remembers when Mondo was more or less a small T-shirt and poster shop attached to the drafthouse theatre, I've personally seen a strange shift. 2 years ago, I remember trying to avoid the hassles of personal international shipping, and thought that local shops such as Waterloo records could help me out. At the time, they had no idea what I was talking about, and said they couldn't put orders in for such specific boutique releases. *at the time End of an Ear did have some cool vintage OSTs to classics, and knew what I was inquiring about.
I think a lot of the initial mondo vinyl hype was secondary to the astronomical poster hype ($500 variant posters for The Thing). Obviously the presentation is a huge draw to both entities, but the quality of restoration, and personal love that Spencer has for his releases is what really sets it apart. Reading retrospective liner notes from original composers / musicians, connects me with the work in a way that opens up the soundtrack to exist in a separate realm.
I personally find it sad that people try to commoditize and profit off of niche interests, especially when they may not even realize the power of Spencer's work, rescuing and reinvigorating musical bodies of work that would otherwise be inaccessible. I love the attention to aesthetic detail, and know how much it helps create a more personal connection with the work than a digital download, but, it is also disappointing to see releases instantly placed at mark up. Not just because it deprives honest fans from collectively being able to enjoy the work, but also because another person is profiting, apart from the DW team that works so hard.
Perhaps this will also mitigate some of the UK vs US release discrepancies. I'm very excited, I think it will set an overall precedence of quality, forcing other labels to rise to the occasion as well. Congrats Death Waltz, you deserve it!